It starts slowly but
explosively, the fallout from Reuben’s tragic death seeping into your bones,
Terence, the father, left bereft with the near perfect twin, Bryony. The pace
quickens somewhat as the relationship between them spirals out of control as he
becomes increasingly possessive of his daughter and then, later, possessed by
the spirit of his son.
Haig writes the part of
Bryony perfectly, a typical teenage girl rebellious and self obsessed, railing
against her father. Terence, too, is keenly observed as the guilt-ridden dad
who has to come to terms with his treatment of Reuben whilst he was alive along
with the violent death of his wife.
Now, I know this sounds bleak
and a parent’s worse nightmare but actually, it’s not. I have two sons and at
the time of reading my youngest was the same age as Reuben yet, strangely, it
didn’t relate at all. I cannot explain why, maybe it’s because it’s in the
first person and so remains exclusively Terence’s story. I’m not sure and I
certainly wouldn’t want to speak for everyone else.
For a more in depth review,
please read John Burnside for The Guardian
©Lisa Lee 2012 Sleeping in Elvegren Reviews
©Lisa Lee 2012 Sleeping in Elvegren Reviews
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